{"id":952,"date":"2023-05-20T20:49:33","date_gmt":"2023-05-20T18:49:33","guid":{"rendered":"https:\/\/musique-sacree-aix.fr\/?p=952"},"modified":"2024-01-10T17:34:34","modified_gmt":"2024-01-10T16:34:34","slug":"le-chantre-des-insectes","status":"publish","type":"post","link":"https:\/\/musique-sacree-aix.fr\/index.php\/2023\/05\/20\/le-chantre-des-insectes\/","title":{"rendered":"Le Chantre des Insectes"},"content":{"rendered":"\n

Cr\u00e9ation –<\/strong> Choeur d’enfants et Orgue<\/strong>
Hommage \u00e0 l\u2019entomologiste Jean-Henri FABRE, Cr\u00e9ation Gr\u00e9goire ROLLAND<\/p>\n\n\n\n

<\/div>\n\n\n\n

Chorale Amadeus <\/strong>(coll\u00e8ge Jeanne d\u2019Arc – Conservatoire de musique du Pays d\u2019Apt Luberon)
Ecole Persil Pouzaraque<\/strong> (Avignon)
Classe multi-claviers <\/strong>(conservatoire de musique du Pays d\u2019Apt Luberon)<\/p>\n\n\n\n

Maryline Chopard<\/strong>, (cheffe de choeur), enseignante au conservatoire du Grand Avignon
Lynda Kaisin<\/strong> (cheffe de choeur),
Pascal Briosne<\/strong> (chef de choeur),
Sophie Bois<\/strong> (professeur d\u2019orgue et de clavecin), enseignants au conservatoire du Pays d\u2019Apt Luberon<\/p>\n\n\n\n

Gr\u00e9goire ROLLAND<\/strong>, compositeur et organiste<\/p>\n\n\n\n

<\/div>\n\n\n\n

Dimanche 11 juin \u00e0 17h \u00e0 la Cath\u00e9drale St Sauveur d\u2019Aix-en-Provence (13).<\/strong>
Entr\u00e9e Libre<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

Le Chantre des Insectes pour ch\u0153ur d’enfants et orgue est une commande de Prodig’art, en partenariat avec Isabelle Ronzier, productrice. C’est une \u0153uvre sp\u00e9cifiquement \u00e9crite pour pouvoir \u00eatre transmise \u00e0 des enfants qui n’ont pas n\u00e9cessairement acc\u00e8s \u00e0 une \u00e9ducation musicale.
Le titre fait r\u00e9f\u00e9rence \u00e0 Jean-Henri Fabre, \u00e9minent entomologiste avignonais, \u00e9galement appel\u00e9 L’Hom\u00e8re des Insectes. L’\u0153uvre musicale explore donc le monde artistique et scientifique de Fabre, en s’attachant \u00e0 la th\u00e9matique des insectes, et en utilisant \u00e9galement certains textes po\u00e9tiques de cet auteur.

Le Chantre des Insectes est con\u00e7u comme le r\u00e9sum\u00e9 d’une \u00ab journ\u00e9e \u00bb dans la nature, avec diff\u00e9rents insectes clairement identifi\u00e9s. Tout d’abord, le grillon, qui fait partie \u00e0 la fois du monde de la nuit et du jour, selon qu’il stridule ou qu’il chante. Ainsi, on le retrouve au d\u00e9but de l’\u0153uvre (Le R\u00e9veil des Insectes, Le Grillon), o\u00f9 son chant v\u00e9ritable prend le pas sur la stridulation nocturne. Puis c’est au tour de la cigale de chanter, elle qui se retrouve au centre de la journ\u00e9e, puisque li\u00e9e aux chaudes temp\u00e9ratures estivales. Enfin, le hanneton, que l’on peut davantage observer en fin de journ\u00e9e, fait entendre son vol, et son cri si caract\u00e9ristique.

Ces trois insectes musiciens ont \u00e9t\u00e9 choisies car ils offrent trois \u00e9missions du son diff\u00e9rentes. Le grillon se rapporte au principe des cordes frott\u00e9es, alors que la cigale utilise davantage la technique de la percussion (de type \u00ab caisse claire \u00bb) et le hanneton expulse de l’air pour faire entendre son cri (\u00ab instrument \u00e0 vent \u00bb). Ces distinctions permettent de varier dans l’\u0153uvre musicale les techniques vocales des enfants, et offrent une r\u00e9elle identit\u00e9 musicale pour chacun des mouvements.

Les interludes \u00e0 l’orgue permettent de passer d’un univers d’insectes \u00e0 un autre, de mani\u00e8re
plus continue.

Les textes utilis\u00e9s sont tous issus de la production po\u00e9tique de Jean-Henri Fabre. Seuls quelques extraits ont \u00e9t\u00e9 conserv\u00e9s, certains ayant \u00e9t\u00e9 traduits du proven\u00e7al. Ces textes commentent les insectes, ou mettent en sc\u00e8ne leur d\u00e9couverte. Cela permet de penser le ch\u0153ur d’enfants comme un groupe qui commente l’action, \u00e0 la mani\u00e8re des ch\u0153urs que l’on retrouve dans la trag\u00e9die grecque. Une partie de l’\u0153uvre travaille \u00e9galement sur le principe d’imitation de l’insecte.
Tout le mat\u00e9riau musical de l’\u0153uvre est extrait d’analyses spectrales de diff\u00e9rents sons d’insectes : grillon, courtili\u00e8re, cigale, hanneton, ambiance de nuit, \u2026
Seule la m\u00e9lodie chant\u00e9e par les enfants au centre du mouvement \u00ab La Cigale \u00bb est inspir\u00e9e de la chanson de Fabre, du m\u00eame nom.

Les registrations indiqu\u00e9es sont des propositions. Il convient de les adapter en fonction de l’instrument dont on dispose.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cr\u00e9ation – Choeur d’enfants et OrgueHommage \u00e0 l\u2019entomologiste Jean-Henri FABRE, Cr\u00e9ation Gr\u00e9goire ROLLAND Chorale Amadeus (coll\u00e8ge Jeanne d\u2019Arc – Conservatoire de musique du Pays d\u2019Apt Luberon)Ecole Persil Pouzaraque (Avignon)Classe multi-claviers (conservatoire de musique du Pays d\u2019Apt Luberon) Maryline Chopard, (cheffe de choeur), enseignante au conservatoire du Grand Avignon Lynda Kaisin (cheffe de choeur), Pascal Briosne … <\/p>\n","protected":false},"author":1,"featured_media":967,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[4],"tags":[],"yoast_head":"\nLe Chantre des Insectes - Musique Sacr\u00e9e<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musique-sacree-aix.fr\/index.php\/2023\/05\/20\/le-chantre-des-insectes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Chantre des Insectes - 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