{"id":708,"date":"2022-03-17T20:23:41","date_gmt":"2022-03-17T19:23:41","guid":{"rendered":"https:\/\/musique-sacree-aix.fr\/?p=708"},"modified":"2022-09-10T19:55:58","modified_gmt":"2022-09-10T17:55:58","slug":"liszt-via-crucis","status":"publish","type":"post","link":"https:\/\/musique-sacree-aix.fr\/index.php\/2022\/03\/17\/liszt-via-crucis\/","title":{"rendered":"R\u00e9tro : LISZT VIA CRUCIS"},"content":{"rendered":"\n

Concert de Car\u00eame<\/h2>\n\n\n\n

le 20 mars \u00e0 17h30<\/strong> Cath\u00e9drale Saint-Sauveur d’Aix-en-Provence<\/p>\n\n\n\n

Programme<\/h2>\n\n\n\n

<\/p>\n\n\n\n

Via Crucis<\/em><\/strong> (Chemin de croix) est une \u0153uvre de Franz Liszt pour clavier (orgue ou piano) et voix (solistes et ch\u0153urs).<\/p>\n\n\n\n

Elle a \u00e9t\u00e9 \u00e9crite entre 1878 et 1879. Il s’agit donc d’une \u0153uvre de la maturit\u00e9 du musicien qui avait alors pr\u00e8s de 67 ans. Elle est post\u00e9rieure de deux ans \u00e0 sa troisi\u00e8me ann\u00e9e de P\u00e8lerinage<\/em>.<\/p>\n\n\n\n

M\u00eame si le compositeur a un profond engagement religieux, puisqu’il \u00e9tait lui-m\u00eame franciscain, son \u0153uvre sacr\u00e9e est beaucoup moins connue que ses partitions profanes. Il a notamment \u00e9crit un Requiem, plusieurs messes et deux oratorios (Christus<\/em>, la l\u00e9gende de sainte Elisabeth<\/em>).<\/p>\n\n\n\n

La gen\u00e8se de Via Crucis<\/em> a \u00e9t\u00e9 inspir\u00e9e par la vision des dessins de Johann Friedrich Overbeck (1789-1869). Liszt en projette l’\u00e9criture d\u00e8s 1874 mais sa gestation se fait essentiellement entre l’automne 1878 et le 26 f\u00e9vrier 1879, date marqu\u00e9e sur la partition. L’\u0153uvre ne sera cr\u00e9\u00e9e qu’un demi-si\u00e8cle plus tard \u00e0 Budapest, en 1929, soit longtemps apr\u00e8s le d\u00e9c\u00e8s de Liszt.<\/p>\n\n\n\n

Elle se caract\u00e9rise par une profonde aust\u00e9rit\u00e9 et int\u00e9riorit\u00e9, qui contraste avec ses partitions plus connues. Les chants sont soit a cappella, soit avec un accompagnement tr\u00e8s discret au clavier. Ce dernier comporte des parties solistes, \u00e9galement d\u00e9pouill\u00e9es. L’inspiration musicale est tr\u00e8s vari\u00e9e, allant du chant gr\u00e9gorien pour l’hymne initial, \u00e0 la liturgie luth\u00e9rienne, jusqu’\u00e0 reprendre quelques th\u00e8mes de la Passion selon saint Matthieu<\/em> de Jean-S\u00e9bastien Bach, formant une composition tr\u00e8s \u0153cum\u00e9nique.
(cr\u00e9dits Wikip\u00e9dia<\/a>)<\/em><\/p>\n\n\n\n

Consultez la traduction et le d\u00e9roul\u00e9 du Via Crucis : Cliquez ICI<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>
\n

Moya YU<\/p>\n\n\n\n

Pianiste d’origine chinoise, Moya Yu-Rolland a d\u00e9bute ses \u00e9tudes de piano \u00e0 Tianjin, sa ville natale, avant de continuer sa formation en France, avec Romano Pallotini et Rena Shereshevskaya. Elle se perfectionne ensuite avec Marc Pantillon \u00e0 la Haute Ecole de Musique de Gen\u00e8ve, d\u2019ou elle sort dipl\u00f4m\u00e9e d\u2019un Master de Piano.
<\/p>\n<\/div><\/div>\n\n\n\n

Parall\u00e8lement \u00e0 sa formation, elle donne des r\u00e9citals, tant en soliste qu’en musique de chambre. En plus du r\u00e9pertoire classique, elle d\u00e9fend la cr\u00e9ation musicale d’aujourd’hui. En 2007, Elle obtient le 1er prix et le prix du public du concours de piano de Lempdes (France) et est boursi\u00e8re de la Fondation suisse Jean Tanner de 2014 \u00e0 2017. Elle est actuellement professeure de Piano au Conservatoire \u00e0 Rayonnement R\u00e9gional du Grand Avignon et continue de se produire tant en France qu’\u00e0 l’\u00e9tranger.<\/p>\n\n\n\n

\"\"<\/figure>
\n

Luc DELPECH<\/p>\n\n\n\n

Titulaire d’un DEA de Musicologie de l’Universit\u00e9 Paris IV Sorbonne et dipl\u00f4m\u00e9 en analyse musicale du Conservatoire de R\u00e9gion de Rouen, il a \u00e9tudi\u00e9 la Direction d’Orchestre avec Nicolas Brochot, la Direction de Ch\u0153ur avec Denis Rougier et Daniel Bargier aupr\u00e8s du Ch\u0153ur de Chambre de Rouen et suivi plusieurs masters class de Michel Piquemal et Philipe Caillat. Pendant pr\u00e8s de 5 ans \u00e0 la Salle Pleyel, il assiste aux r\u00e9p\u00e9titions des plus prestigieux orchestres et \u00e9coute le travail des plus grands chefs.<\/p>\n\n\n\n

Il re\u00e7oit l’enseignement au piano d’Olivier Bernard, ancien directeur de la musique \u00e0 la Com\u00e9die-Fran\u00e7aise et au chant celui de Jacques Feuillie, ou encore plus r\u00e9cemment de Gilles Schneider.<\/p>\n<\/div><\/div>\n\n\n\n

\"\"<\/figure>
\n

Ensemble Vocal de la Cath\u00e9drale<\/p>\n\n\n\n

Cr\u00e9\u00e9 en 2019 l’ensemble vocal regroupe une dizaine de chanteurs amateurs \u00e9clair\u00e9s ayant une pratique musicale et vocale av\u00e9r\u00e9e. L’ensemble a donn\u00e9 son premier concert en d\u00e9cembre 2019 dans le cadre d’un pr\u00e9lude aux V\u00eapres de l’Avent, concert donn\u00e9 \u00e0 la bougie, autour d’\u0153uvres sacr\u00e9es et profanes de No\u00ebl. Ils s’investissent \u00e9galement dans les divers projets musicaux de la Cath\u00e9drale d’Aix-en-Provence. Au cours de ses sessions de r\u00e9p\u00e9tition, l’ensemble m\u00e8ne un travail exigeant autour de l’interpr\u00e9tation de la musique sacr\u00e9e, et defend le patrimoine sacr\u00e9e dans le cadre des activit\u00e9s de l’Association Musique Sacr\u00e9e.<\/p>\n<\/div><\/div>\n\n\n\n

\n
\n

Sopranos<\/p>\n<\/div>\n\n\n\n

\n

Victoire PHILIZOR
Sylvie GUERIN<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Altos<\/p>\n<\/div>\n\n\n\n

\n

Agathe GIRAULT
Ang\u00e9lique ROUX
Guillemette BAGNERIS<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

T\u00e9nors<\/p>\n<\/div>\n\n\n\n

\n

Pierre BAGNERIS
Guillaume SCHERRER<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Basses<\/p>\n<\/div>\n\n\n\n

\n

Jean-Christophe GIRAULT
Romain BARENNES
Nicolas VINCOTTE<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Concert de Car\u00eame le 20 mars \u00e0 17h30 Cath\u00e9drale Saint-Sauveur d’Aix-en-Provence Programme Via Crucis (Chemin de croix) est une \u0153uvre de Franz Liszt pour clavier (orgue ou piano) et voix (solistes et ch\u0153urs). Elle a \u00e9t\u00e9 \u00e9crite entre 1878 et 1879. Il s’agit donc d’une \u0153uvre de la maturit\u00e9 du musicien qui avait alors pr\u00e8s … <\/p>\n","protected":false},"author":1,"featured_media":710,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[3],"tags":[],"yoast_head":"\nR\u00e9tro : LISZT VIA CRUCIS - Musique Sacr\u00e9e<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musique-sacree-aix.fr\/index.php\/2022\/03\/17\/liszt-via-crucis\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9tro : LISZT VIA CRUCIS - Musique Sacr\u00e9e\" \/>\n<meta property=\"og:description\" content=\"Concert de Car\u00eame le 20 mars \u00e0 17h30 Cath\u00e9drale Saint-Sauveur d’Aix-en-Provence Programme Via Crucis (Chemin de croix) est une \u0153uvre de Franz Liszt pour clavier (orgue ou piano) et voix (solistes et ch\u0153urs). Elle a \u00e9t\u00e9 \u00e9crite entre 1878 et 1879. 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