{"id":607,"date":"2022-01-02T18:53:54","date_gmt":"2022-01-02T17:53:54","guid":{"rendered":"https:\/\/musique-sacree-aix.fr\/?p=607"},"modified":"2022-02-01T14:23:31","modified_gmt":"2022-02-01T13:23:31","slug":"concert-epiphanie-pierre-queval","status":"publish","type":"post","link":"https:\/\/musique-sacree-aix.fr\/index.php\/2022\/01\/02\/concert-epiphanie-pierre-queval\/","title":{"rendered":"Retro : R\u00e9cital d’Orgue – Pierre QUEVAL"},"content":{"rendered":"\n

Concert d\u2019\u00c9piphanie <\/h2>\n\n\n\n
\"\"<\/figure>
\n

N\u00e9 en 1988, Pierre Queval se forme aux Conservatoires de Nantes et Saint-
Maur-des-Foss\u00e9s, aupr\u00e8s de Michel Bourcier, Eric Lebrun et Pierre
Pincemaille, puis \u00e9tudie au Conservatoire National Sup\u00e9rieur de Musique et
de Danse de Paris (CNSMDP), dans la classe d\u2019orgue de Michel Bouvard et
Olivier Latry et dans la classe d\u2019improvisation (orgue et piano) de Thierry
Escaich, Laszlo Fassang, Philippe Lef\u00e8bvre et Jean-Fran\u00e7ois Zygel. Il est
r\u00e9compens\u00e9 d\u2019un prix de contrepoint, d’un master d\u2019orgue-interpr\u00e9tation et
d’un master d\u2019improvisation.<\/p>\n<\/div><\/div>\n\n\n\n

Titulaire du grand orgue Cavaill\u00e9-Coll\/Haerpfer-Ermann de l’\u00e9glise Saint-Ignace \u00e0 Paris (6\u00e8me) depuis 2014, Pierre Queval est nomm\u00e9 organiste titulaire de la Cath\u00e9drale de Nantes au cours de l\u2019\u00e9t\u00e9 2021. Interpr\u00e8te et improvisateur reconnu internationalement, il donne des r\u00e9citals dans toute la France ainsi qu’en Angleterre, Italie, Finlande, Pologne ou encore aux \u00c9tats-Unis o\u00f9 il fut notamment \u00ab young artist in residence \u00bb \u00e0 la Cath\u00e9drale Saint-Louis de la Nouvelle-Orl\u00e9ans entre novembre 2015 et avril 2016.<\/p>\n\n\n\n

En France, ils se produit dans de nombreux lieux privil\u00e9gi\u00e9s, comme \u00e0 Paris (Notre-Dame, Saint-Sulpice, Saint-Eustache, La Madeleine, Sainte-Clotilde, Saint-Denis, La Trinit\u00e9, Saint S\u00e9verin, Saint-Thomas d’Aquin…) et est l\u2019invit\u00e9 de plusieurs festivals prestigieux, tel que ceux de Radio-France et Montpellier\/Occitanie, La Roque d’Anth\u00e9ron, La Chaise-Dieu, Annecy Classic Festival, Toulouse les Orgues, Orgue en Jeu de Lyon, Chartres, Musique Sacr\u00e9e de la Cath\u00e9drale de Saint-Malo, Carcassonne, l’Alpe d’Huez…<\/p>\n\n\n\n

Actuellement, Pierre Queval est \u00e9galement en r\u00e9sidence artistique aupr\u00e8s de l\u2019Association Les Voix de l\u2019Orgue Cavaill\u00e9-Coll de Luchon (Haute-Garonne), participant activement au festival et aux projets de valorisation et promotion de l\u2019instrument de l\u2019\u00e9glise Notre-Dame-de l\u2019Assomption. Il consacre une part importante de ses activit\u00e9s \u00e0 l’improvisation, accompagnant r\u00e9guli\u00e8rement des com\u00e9diens ou des projections de films muets, ainsi qu\u2019\u00e0 la musique de chambre, en particulier aux c\u00f4t\u00e9s de la mezzo-soprano Maria Mirante, ou encore au sein du Trio Meigma (avec la fl\u00fbtiste Charlotte Berthom\u00e9 et la violoniste Mathilde Gandar) et de l\u2019Ensemble Orpezzo (avec la chanteuse Anne-Claire Couchourel et le trompettiste Vincent Mitterrand). Titulaire du dipl\u00f4me d\u2019\u00e9tat d\u2019enseignement artistique, Pierre Queval est professeur d\u2019orgue aux Conservatoires de Laon, Soissons et Gagny (Seine-Saint-Denis).<\/p>\n\n\n\n

Programme : <\/h2>\n\n\n\n
\n
\n

J-S BACH (1685 – 1750)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Choral \u00ab Wachet auf, ruft uns die Stimme \u00bb, BWV 645<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

C. Franck (1822 – 1890)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Pastorale<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

J-S BACH (1685 – 1750)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Choral \u00ab Christum wir sollen loben schon \u00bb, BWV 611<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

C. BALBASTRE (1724 – 1799)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

No\u00ebl \u00ab Quand J\u00e9sus naquit \u00e0 No\u00ebl \u00bb<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

J-S BACH (1685 – 1750)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Choral \u00ab Der Tag, der ist so freudenreich \u00bb, BWV 605<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

C. TOURNEMIRE (1870-1939)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Offertoire de l\u2019Office de l\u2019Epiphanie, extrait de l\u2019Orgue
Mystique<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

C. SAINT-SA\u00cbNS (1835-1921)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Fantaisie en mi b\u00e9mol majeur<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

O. MESSIAEN (1908-1992)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

\u00ab Les Mages \u00bb, extrait de la Nativit\u00e9 du Seigneur<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

J-S BACH (1685 – 1750)<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Choral \u00ab In dir ist Freude \u00bb, BWV 615<\/p>\n<\/div>\n<\/div>\n\n\n\n

Improvisation finale<\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Concert d\u2019\u00c9piphanie N\u00e9 en 1988, Pierre Queval se forme aux Conservatoires de Nantes et Saint-Maur-des-Foss\u00e9s, aupr\u00e8s de Michel Bourcier, Eric Lebrun et PierrePincemaille, puis \u00e9tudie au Conservatoire National Sup\u00e9rieur de Musique etde Danse de Paris (CNSMDP), dans la classe d\u2019orgue de Michel Bouvard etOlivier Latry et dans la classe d\u2019improvisation (orgue et piano) de ThierryEscaich, … <\/p>\n","protected":false},"author":1,"featured_media":613,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[3],"tags":[],"yoast_head":"\nRetro : R\u00e9cital d'Orgue - Pierre QUEVAL - Musique Sacr\u00e9e<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musique-sacree-aix.fr\/index.php\/2022\/01\/02\/concert-epiphanie-pierre-queval\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Retro : R\u00e9cital d'Orgue - 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